Ventriloquists are creepy enough, but ventriloquists with a social agenda terrify me.
Tim Hatch lives in a secret volcano headquarters somewhere in the South Pacific, where he controls the world economy and writes confessional poetry about his disappointing childhood.
His poetry has been published in MungBeing, East Jasmine Review, The Pacific Review, The Vehicle, Touch: The Journal Of Healing, Apeiron Review, and he is the recipient of the 2014 Felix Valdez Award.
He finds writing about himself in the third person to be an overtly seductive invitation to tell lies.
He once captured a French Eagle at Talavera.
Do you know how often things would be different in my life if I had stopped talking thirty seconds ago?